I have just returned from Liverpool, my third visit in just over a year. The love affair continues. I find the city so inspiring . . .
Albert Dock (the Buddha on the long boat and the beautiful Pumphouse chimney)
Clouds dancing over the Mersey (to the beat! And the beat goes on . . .)
The Beatles statue, Pier Head (I could not see L8!)
The acorns in John’s hand (cast from ones that were picked up outside the Dakota building in New York)
The Three Graces (simply majestic, poetry in stone)
Baltic Fleet (ale paradise and the conversation flows too)
Rum Porter (King of Ale)
Duke Street Market (Lamb Croquettes!)
Wassily Kandinsky’s Cossacks
L.S. Lowry’s The Pond
Mark Rothko’s Light Red Over Black
Walker Art Gallery
Rose Wylie’s PV Windows and Floorboards
Dancing clouds over Lime Street
Eleonor Rigby gravestone (Joe from Maryland says “Hello”)
Think like rice, act like a cloud at Strawberry Field
Walking the labyrinth
Mendips, 251 Menlove Avenue
Dreaming beneath a blue suburban sky
Baltic Triangle murals (especially Yellow Submarine & Klopp “We are Liverpool / This means more”)
Hobo Kiosk (sadly closed but one day . . .)
Tracey Emin, I Felt You And I Knew You Loved Me
Bluecoat (worth it for the posters alone, Yoko Ono 1967 especially & the little garden)
Probe Records (Wild Billy Childish & The Buff Medways - The Xfm Sessions and Michael Rother – Fernwärme cds)
Bold Street (watching the people)
The “bombed out church” (All Together Now - Christmas Truce Memorial . . . and all the little creative bombs that exploded in my mind . . .)
Sadly, no gallery visits or exhibitions; the world has been put on ice. So I turn to books, catalogues, the Internet and local skies for inspiration.
Cy Twombly: Fifty Days at Iliam – I have treasured this book since I bought it on a London trip in October 2018. It still astonishes and ravishes with its beauty and intellect!
Cy Twombly: Lepanto – The double page spread on pages 30/31 of the twelve panels in Gagosian Gallery in New York is sublime. I don’t know how many times I have drooled over this photo!
Cy Twombly: Coronation of Sesostris – I was fortunate enough to see this exhibition at Gagosian New York in 2000 (big thanks to Joe - "It's almost religious."). I bought this book the following year. The ten panels are beyond beautiful . . .
This is my number one on a bucket list of many! It looks an extraordinary place and this site has given me much joy and uplift of mood during these frozen months - Benesse Art Site Naoshima
The clouds over the Firth of Forth and Seafield beach in particular.
My new discovery, assemblages
On The Road – Jack Kerouac
The Autobiography of Alice B. Toklas – Gertrude Stein
Metropolis - Philip Kerr
Situation – Buck 65
The Gouster – David Bowie
Is It Any Wonder? – David Bowie
Secrets Of The Beehive – David Sylvian
Like A Fire That Consumes All Before It – Eraldo Bernocchi
Mixing Colours – Roger & Brian Eno
Now This – Gary Peacock Trio
Lady In Satin – Billie Holiday
Forever Now – Psychedelic Furs
Jojo Rabbit –Taika Waititi (one of the most emotionally uplifting endings I have ever seen)
The Lighthouse – Willem Dafoe and Robert Pattinson
Mrs Lowry & Son – Timothy Spall & Vanessa Redgrave
20th Century Women
Margot At The Wedding
20,000 Days On Earth (this must be the 6th time I’ve seen this documentary! It is so inspiring)
The Three Burials of Melquiades Estrada
Of Gods And Men
East Of Eden
Wolfgang Flür – Summerhall (last gig before the virus)
The walk through Starbank Park and Trinity to Wardie Square
Joe in Maryland
For things to reveal themselves to us, we need to be ready to abandon our views about them. – Thích Nhat Hanh
Stop clinging or be dragged! – Anon
Life begins where fear ends – Osho
“But if you could just see the beauty,
These things I could never describe, “ – Isolation, Joy Division
As I am staying at home like the rest of the world in forced isolation I decided to interview myself for my website blog! I found a list of questions for artists online and started to answer them. I hope this is inetersting for anyone who may be passing by . . .
1. Who are you and what do you do?
I am a curious being! Culture, art, music, film, literature and all the fabulous people that populate these areas have always fascinated me. I am voracious in seeking out experiences and information. Even when I have met new people I have always questioned and probed, trying to find the essence of what they are and thereby, maybe finding something to appropriate, sample and use!
What I do is use this aspect of my being to try to create ‘art’. I am a conduit, a sampler, and a food blender! I scatter images, build up, erase, fuse and distil. I find inspiration and subjects from my life basically and play with them.
2. How do you Work?
I used to always work at night but mainly work during daylight hours now. Maybe it’s an ageing thing! I usually have 3 to 4 pieces to work on simultaneously and make marks and words until it’s done. Sometimes I work directly from small, crude sketches (eg Oskar’s Catalogued Dreaming) but mainly work without any idea of the outcome! It’s a scary thing to face a blank canvas and begin without any sense of where it’s going. However, I like Paul Klee’s idea – “A drawing is simply a line going for a walk.”
3. What’s your Background?
I didn’t go to art school I studied English literature. I am what is known as self taught, I am a defiant outsider!
I have always held down a ‘day job’ too and worked on art in tandem, being at pains to create something each day if that only meant making a mark. I worked in marketing in theatre, music, and festivals for years. This gave me a rich source of inspiration being able to see so much for free! It also informed my visual vocabulary with graphic design and photography which I practised in my job.
4. What’s Integral to the work of an Artist?
Passion, bravery, curiosity and shear hard work with a little anguish thrown in!
5. What Role does the Artist have in Society?
For me the role is storyteller, bringer of beauty, poet, comedian, enlightener, the role can expose, ridicule and exalt too. In my role I try to be mysterious, to create deliberate enigmas that may get people thinking about life.
6. What has been a Seminal Experience?
In the late 80’s I got a job working at The Crucible Theatre, Sheffield in publicity (marketing was but a glint in it’s father’s eye back then). Being around actors, directors, designers, writers, photographers and all round creative beautiful people had a profound effect on me. It was astonishing and transformative.
This is when I started to paint and make things seriously.
7. Name three Favourite Artworks?
How difficult is this? I’ll try:
1. Hardware Store by Jean-Michel Basquiat.
I love everything Basquiat ever made but this painting, whilst not being one of the most recognizable is for me sublime. I won’t attempt to critique it, it is simply beautiful and the quintessence of his style.
2. Coronation of Sesostris by Cy Twombly
An epic painting cycle in ten parts. Vibrant, smudged and smeared, drippy, dreamy and magnificent!
3. The Liver Buildings by L. S. Lowry
I have loved Lowry’s work since childhood. He is totally unique; a true original and very underrated in my opinion. The industrial scenes are better known but I adore this depiction of the ‘three graces’ in Liverpool. Simple, less is more . . .
But then again there is the Rothko Chapel, Houston, Texas, Danse Macabre by Bernt Notke, Tallinn, Estonia, Ruth’s Zowie by de Kooning . . .
8. What memorable responses have you had to your work?
In 2012 I showed work at The Granary Gallery, Berwick upon Tweed and found these comments in my visitor’s book:
“Love the colours. Michael need help!!” and “Very interesting artworks. Michael has a lot to say and should talk to someone to help him find the peace he seeks.
I did receive more positive comments but these made me unsettled and upset to be honest. They made me wonder about what I was projecting and actually made me doubt myself for some time.
9. What do you dislike about the art world?
It’s obsession with ‘training’, it really gets on my nerves. I feel the establishment does not value artists as much unless they were ‘trained’ at art school. I mean, Vincent van Gogh studied art briefly at the Antwerp Academy, but this had little influence on his approach to painting. Surely the end product is what counts not the route or journey to it? No one says, ‘self-taught’ about musicians, actors or writers so why say it about visual artists?
“Schools teach you to imitate. If you don't imitate what the teacher wants you get a bad grade.” Robert M. Pirsig
10. What is your dream project?
To be asked to paint something for a new Patti Smith album/book cover or Jim Jarmusch film (and have it accepted!).
11. What food, drink, song inspires you?
Wholesome. Porter and coffee. Bowie.
12. What’s the best piece of advice you’ve been given?
In 1999 I was fortunate enough to visit Ibrahim Hussein Museum and Cultural Foundation in Langkawi, Malaysia. It was closed for the day, but Ibrahim and his wife kindly let me in. After, seeing the exhibition I was invited into his office for a drink and chat. As I was about to leave, I finally plucked up the courage to say that I was a painter too whereupon he smiled and said, “Just keep going.”
A humbling beautiful moment . . .